At 14 years of age, I knew that I was destined to be a fine art photographer.

Even at this early age I found myself drawn to a particular style of image, one that would literally cause a physical reaction in me. They were dark images created by Adams, Weston, Bullock and others. At age 14 I knew that I was destined to create such images.

An important early influence in my life and my art was the poem “Invictus” by William Ernest Henley.

Out of the night that covers me,

Black as the Pit from pole to pole,

I thank whatever gods may be

for my unconquerable soul.

~

In the fell clutch of Circumstance,

I have not winced nor cried aloud.

Under the bludgeonings of Chance,

my head is bloody, but unbowed.

~

Beyond this place of wrath and tears,

looms but the Horror of the shade,

and yet the menace of the years,

finds, and shall find me, unafraid.

~

It matters not how strait the gate,

how charged with punishments the scroll,

I am the master of my fate:

I am the captain of my soul.

~

For me, this poem evokes dark images which form the inspiration for my photographs. Darkness in my images represents the trials of our human existence while the light represents the strength that comes from the realization that we are the captains of our souls.

Ahhhhrrrrrrgggggg!  I’m in an artistic slump!  What do YOU do when this happens?

I get asked this question quite often, in fact weekly.  While I don’t have “the” solution, I have “my solution” and perhaps the concept will work for you too?

The first thing I do, even though it’s hard, is to not panic.  Panic and dwelling upon the problem just makes it worse.  So relax and accept these two facts; slumps are normal and they will pass.

But I do find that there are certain things that can help the slump pass faster:

First, find something that inspires you artistically; for me it’s reading the Edward Weston Day Books and listening to the Beatles.  Reading about Weston’s creative journey really excites me, almost immediately, and makes me want to get out and start shooting again.  This man has always been my photographic idol and a true bohemian artist.

Listening to the Beatles inspires me in different way.  Some musical groups have success with a certain sound and then they stick with that sound forever and ever, either because they are not creative enough to evolve or because they are afraid to change the sound that made them famous.  Not so with the Beatles, they thrived when exploring new sounds and changing their style.  That inspires me to do the same.

The next thing I do, and it’s a hard one, is to keep shooting with no expectation of doing good work.  Just go out like you used to when you first discovered photography, shoot to have fun.  Accept that you’ll bring home absolutely nothing of value and just enjoy the journey.

Now this last point I raise at the risk of fanning the flames of protest that I kindled a few weeks ago.  During this time of wandering in a barren desert of creativity, I find that I can get a bit down on myself and question whether or not I’m any good, if I’ve ever done anything good, and if I ever will do anything good in the future.  At these low points I find that looking at other photographer’s work is very depressing!  I see how many great photographers there are out there and I just want to give up.  So for me (please note this qualifier) I do not look at other photographers’ work when I’m down

Really, everyone goes through these periods and I promise they will pass.  Just relax and enjoy the journey.

Cole

Dear Abby;

I’d like to get into digital photography, but I’m afraid.

Afraid because there seems to be so much to learn about Photoshop!  Profiles, curves, masks, adjustment layers, RIP’s, and etc.  I’ve been reading the manual for 4 hours a day for a month now and I still feel like I know very little.

Please help!  Signed “Reluctant in Rochester.”

~

Dear Reluctant;

I feel your pain!  Technology can be overwhelming and the size of the manuals today, Oy Vay!

But there’s good news, you don’t have to read the manual before you start using Photoshop and you certainly do not need to use all of it’s features to produce wonderful images.

My close friend and FANTASTIC photographer Cole Thompson (smile) says that he generally only uses the contrast tool, and dodging and burning.  He uses the same techniques in Photoshop that he used in the darkroom, it’s a very simple and effective approach.

In fact, a few years back Popular Photography did an article on him entitled The Photoshop Heretic.  They said of him:  “Cole Thompson breaks every rule in the book, but he makes digital black-and-white prints that will take your breath away.  Just don’t try this a at home.”  (I think they were just kidding about not trying this at home though)

An approach Cole favors is to just jump in and try something, and once you get stuck, then look up the answer.  He says that he only uses about 2% of Photoshop’s features anyway, so don’t be intimidated by all of them!

Go ahead, give it a try, it’s not as complicated as you think!

Signed, Abby Thompson

~

Click Here to Read the Photoshop Heretic