The Story Behind the Image: Old Car Interior
Old Car Interior is one of those images that is both complex and yet simple at the same time. This 1934 Chrysler interior was found just down the road in my friend’s backyard (I say “junkyard” but Frank gets mad at me). I was looking at the car’s dashboard and marveling at the incredible nostalgic detail, and thinking “if I could only capture it!” I had an idea of how I wanted this to look, but wasn’t sure if I could actually do it.
I’ve always believed that the rule of thirds was the key to a successful image, however not the traditional rule of thirds, but my own! It is:
- 1/3 the vision
- 1/3 the shot
- 1/3 the post processing
(you can read my post about the rule of thirds here: http://www.photographyblackwhite.com/rule-thirds/)
My first challenge was space, this was a very small interior and it was not practical to photograph from inside the car. Fortunately there was no back window and so I set up the tripod so that I could shoot through the back window. To capture the interior I used a 10-22mm zoom at 15mm on my 20d, making it a 24mm in full frame terms.
My next challenge was that it was quite dark inside the car and very bright outside. One exposure was clearly not going to span that wide dynamic range and so I decided on two exposures, one for the interior and one for the exterior. I chose not to use HDR as I personally find the look a bit unnatural. Using Photoshop I cut out the three windows from the exterior exposure and pasted them into the interior exposure, giving me a perfect exposure for the entire scene.
The processing was responsible for the uniqueness of this image. Using my pen and tablet I went over each piece of the interior to bring out the detail with what I call “local contrast enhancement.” This is a fancy way of saying that I would dodge and burn each piece to enhance the contrast in just that area. I prefer this localized approach rather than using a global contrast setting, which would affect all areas equally.
Part of my style is extreme contrast and so I would burn down the shadow areas to ensure great blacks, which further gives the impression of contrast and sharpness. In all I spent 50 hours to get this image right, which is the longest I’ve ever spent on an image.
The results surpassed my initial vision and has become one of my most published and requested images. I was by Frank’s today and visited “Old Car Interior” and was shocked to remember just how dull the interior actually looked compared to my final image. And something else that impressed me was the detail I was able to convey with 8 megapixels, demonstrating that it’s not always about megapixels!
Note: The matted 10 X 15 print of Old Car Interior sells for $400 but will be on sale for $275 until 11/1/2011. Just email me and please mention the discount.