Here’s a video from the opening night of “The Ghosts of Auschwitz and Birkenau” at The CACHE Gallery of Photography.

View the Exhibition Opening

Cole

“Rocks and Mist” is another one of my long exposure shots.  The image was captured late one night on the rocky shore of La Jolla Cove in San Diego.  I was standing on the eroded lava rock about 10 feet from a precipice that fell off to the ocean.  The waves would come up and go over my feet as I stood there for the 30 second exposure.

The effect of the waves going in an out over the 30 seconds gives the misty, foggy effect.  The only illumination were the distant lights and stars.  I was using a 16mm lens and so there is a distorted almost fish-eye effect, which is not really noticeable since the viewer does not know what the scene really looks like.

This was shot in 2005 and I recently returned to the same spot and was very surprised at how small this rocky area really is.  The wide angle lens added much to the look and feel of the image.

Water and long exposures are a great combination.  A very long exposure can smooth out water for a very simple and clean look.  Sometimes a shorter exposure can give form and shape to the water and then there is the misty look as in the above image.  Using a digital camera allows you to experiment and get right before you leave.  I love digital!

Cole

Never center the subject!  Everyone knows that rule.

I don’t like rules and I don’t like being told what to do.  So I was taken aback when someone told me that my image of the Angel Gabriel (Click Here) didn’t work because Gabriel was centered.  I had to disagree, that’s exactly why the image works!

I created the image above last week in San Diego, at LaJolla cove, its title is “Opposition in all Things.”  Yes, I know it’s centered, and yes I know that breaks the rules!  It’s not a masterpiece, but part of it’s charm (in my opinion) is that it’s centered.  I like it like that.

I do readily admit that I’ve had this fascination with centering subjects for more than a year now, and I quite expect that I’ll have a new fixation next year.  That’s okay, but what’s not okay is not trying something because of some dumb rule.

There are lots of “rules” in photography and I’m not sure who declared them rules, but I like to think of them as “vague suggestions.”  Sure they might make sense some of the time, maybe even most of the time, but certainly not all of the time!

If you’re ever going to find your own style (and for me that’s what it’s all about) then you must not follow the rules.  A fun exercise is to deliberately go out and break some rules.  A few suggestions are:

*  Wear plaids and stripes together

*  Run with scizzors in your hands

*  Go out into the WalMart parking lot and cry Wolf!

*  Center your images

*  Look in the mirror and say “I will ignore the rule of thirds”

If you’re looking for “Kodak Moment” then follow the rules.  But if you’re looking to create killer images, ones that grab and hold your attention, then break the rules and see what you get.  You might be surprised.

Cole

I just drove down to Las Cruces, NM for an exhibit of my work at the Preston Contemporary Art Center.  I was there for a week and had a fantastic time; the Preston Center is new and UNBELIEVABLY nice, the town is small, friendly and warm (it was 68 degrees one day) and it’s extremely affordable.

I had some good luck with my art while there and think I might have added a couple new images to my Harbinger series.  Above is an image I created of a Pecan orchard at dusk.

If you’d like to get away for a few days this winter, consider Las Cruces.  I think it’s about to be “discovered.”

Cole

I just returned from a trip to Southern California and Death Valley.  I created a few images and had the best luck in Death Valley.  I hadn’t been for years and what a treat to travel there in the low season, there were extremely few people and mild 70 degree days.  It was a treat!

The image above was taken at Zabrinski Point, perhaps the most photographed location in Death Valley.  I’ve seen photographs of the photographers at Zabrinski point and they are packed in like sardines waiting for the sunrise.  When I was there, there wasn’t a single soul there, photographer or otherwise.

What impressed me most about Death Valley is how time stands still there.  The tentative title of the image above is “Time No. 1″

More images are coming from this great trip, so watch for the newsletter.  If you’re not receiving it, you can read past issues or sign up HERE.

Merry Christmas everyone!

Cole

Well folks, it looks like this blog has evaporated into cyberspace.  Sorry about that!

Crista Dix at the Wall Space gallery in Seattle believes that great photographic art should be affordable.  And so she has assembled a great collection of limited edition art, at affordable prices.  This is from the Wall Space website:

55 artists from across the country are in the gallery this month. Discover creative work by new artists, each with a unique vision of photography. We wanted to provide an opportunity for new and established collectors, as well as aficionados of the photographic image to see and purchase new works at a price we can all afford.

Each of these creative images is priced under $200, a reasonable investment for anyone who loves top quality work from local and national artists who we think are creating really inventive, imaginative and uncommon works.

Limited creations – once in a lifetime images. Connect visually, emotionally. So many artists. So many ideas. Surround yourself with something beautiful that touches you. Challenge yourself, question your ideals. Look at it everyday and find something new. Collectible is art that fits. Fits your wall, your budget, your conscience.

Please visit Wall Space’s web site and take a look at these wonderful images.

View the “Collectible” collection.

I’ve just returned from Orange County in California, my old stomping grounds, and have a few new images that I’ll be showing in my next newsletter. Here is one entitled “Safe Harbor.”

It was taken at the Dana Point harbor and I was pondering the difference in the sea on one side of the wall compared to the other. One is calm and the other turbulent.

It made me think of the walls we put up in our lives, and wondering if they really provide calm or they are just a way to avoid certain things.

Primordial Soup – Bullard’s Beach, OR – 2008

I consider this my best image from the Bandon, Oregon trip.  It’s a 30 second exposure of the ocean and a swirling pool caught on the beach.  When using long exposures, you have to try a variety to get that exact right look.

This was taken using my Canon 1Ds Mark III and using my Vari-ND 8 stop filter along with a stacked Mor-Slow 5 stop ND filter.  These 13 stops of Neutral Density (ND) allow me to shoot at 30 seconds under the brightest conditions.  There are many challenges however, including holding the camera still for that long and people walking into your image.

View the other Oregon images